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  • 8 hours ago

By Ruby Rosenthal



I somehow have become a woman instead of a girl and this fact is very confusing to me; a few years ago I didn’t floss very often or moisturize frequently, I’d take some of that slick cool Neutrogena hydrosauce, coat my fingers, and slather it all over the grooves of my face once a week max because sometimes it would get into my eyelashes, sometimes I would wake up and it would be stuck in my hair, sometimes being nineteen was all fun and games because I didn’t know yet what ailments I had, I didn’t know yet how quickly my body would be prone to developing pockets of fat in undesirable areas, I didn’t know yet that in my twenties, I would become dry everywhere—dry knuckles in the winter: peeling, bleeding, cutting, blood dripping onto my laptop into my gray snowflaked flannel sheets—sheets, by the way, that I never had to own, until my twenties, never knew they existed, until my twenties—but back to my hands, my hands are flaky and falling apart, no Walmart-branded moisturizer will soothe me, I pay full-price now for O’Keefe’s to keep me together and full price for a tar-scented medically induced moisturizer because eight months ago, my eyelids started peeling and I rubbed them until they became red and splotchy and so I put Aquaphor on my eyelids and then at a birthday party a friend’s rude girlfriend asked if my shiny eyelids were the new trend, but then I went to Charlottesville and my cousin asked me if I wanted to borrow her psoriasis medication, and that solved it, I guess, I have psoriasis, I guess, I have the thing that she has—thanks genetics, I guess—I have the thing that we in my family have up and down our elbows and our knees, the thing that we think would make no one ever fall in love with us, and so now, I have to face the how do I get rid of it, the what do I have to slather nightly, the how do I keep the flakes away, so now it’s tar-scented moisturizer on my eyelids, tar-scented moisturizer beneath my chin, tar-scented moisturizer on the small spot right below my lip, because it’s itchy, so itchy, I just want to scratch it all away and let the flakes fall to the ground, like when I was a kid that’s what I would do to my dandruff, taking my fingernails and carefully affixing them to my rounded scaly scalp scabs, hardened yet puffed, sensitive yet sturdy, and I would circle them, find where they started and where they ended, and slowly pull them out, doing it until my hair, my very dark hair, was dotted with white flakes dispersed between its roots, and the floor would be covered in my dead skin, impossible to clean up quickly, requiring a real vacuum or broom, not just the palm of my hands, but now I am a woman,



Ruby Rosenthal is a Chicago-based writer whose work appears or is forthcoming in Hypertext Magazine, The Rumpus, HerStry, Defenestration, and elsewhere.


By Isabel Hoin



I had a vision of Jesus once— yes, a vision of Jesus and my deceased grandfather and also my deceased twin who I never met but somehow he was my age in this particular vision and in that moment I assumed I had the vision like all the priests and nuns and even the popes and possibly the saints have felt before and then I felt special, somehow, but that was when I was in catholic school for that one year before I left and opened my mind to the many texts it stored and still stores and now I want to tell my past self this: read and 

breathe 

in as much information you can possibly hold; 

the cracking of book spines only brings growth while 

simultaneously crumbling indoctrination you were never aware 

of— and then it hits you 

like the breeze of an opened window, in fall, 

and in this deep, submersive breath of amazement I close my eyes, again, and rethink this once-in-a-lifetime occurrence over and over Sunday after Sunday while seated in the very last pew at 8am and remember to genuflect, and then kneel, and then stand, and then kneel, Sunday after Sunday 

and then today.



Isabel Hoin is a Perry Morgan Fellow (Poetry) in Old Dominion University's MFA program, and her work is already in or is forthcoming in Vagabond City, Door=Jar Magazine, Blue Press Magazine, Wild Roof Journal, Voices/1922 Review, La Picciolėtta Barca Review, and Pensive: A Global Journal of Spirituality & the Arts at Northeastern University, among others.


"Nube Nera" art by Federico Federici.

By MaxieJane Frazier



Six muscled litter carriers deposit my sister’s soul-slipping body in her Happy Place of soft bedding, motivational quotes, and perfectly picked wall colors; meanwhile an elephant sits folded in on itself on my passenger seat because we just left the pharmacy with enough liquid morphine to kill, well, an elephant, but she doesn’t mind because her trunk snakes across my Subaru’s dashboard; she rests her dorsal and ventral fingers over my driving hand sounding just like my dying sister when she whispers, “So this is it?” then after we park, she clambers on my back to climb all twenty-four steps to the Happy Place vigil where together we balance on a fold-out out chair, or stand, or stretch together as one weighted being through the night and day and one last long night before my sister’s haggard, autonomic breathing smooths out until, in that only moment when I’m not looking, sometime a little before 3 a.m., she, the elephant, slips down off my back, though I feel her weight just the same, still I turn around and catch a glimpse of my sister riding just behind those gray, flapping ears, through the walls of her Happy Place, astride the elephant’s swaying march over the Columbia River.



MaxieJane Frazier, author, editor, and teacher, cares for geriatric equids and other furry beloveds while writing from the Okanogan Highlands of Washington state where she seeks out perfection, mostly in words.


Art by Evva Durkee.

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