By Huina Zheng
Patience, a gentle simmer, no rushing, my mom reminds me in a sacred litany,
bestowing upon me the art of soup-making, more profound than mere culinary skill, a
lesson in embracing slowness in a breakneck world, much like her insistence on
knitting sweaters each winter, defying the lure of store-bought ease, her hands
weaving threads of love, each stitch a testament to maternal affection, echoing an
ancient Tang poem that sings of a mother’s care: “Threads in the hands of a loving
mother, garments on the wandering child, stitching before he leaves, sewn with fears
of a delayed return,” a reminder not to rush, akin to not helping a butterfly from its
cocoon, for without struggle its wings won’t spread or harden, unable to fly, mirroring
the essence of making soup, where turning up the heat to save time is a sacrilege, for
Cantonese soup, unlike in other regions of China, demands a slow cook of four hours,
often a whole day, to achieve the “old fire soup,” a thousand-year-old Guangdong
secret for nourishment, all contained within this pot, and soups hastily boiled
elsewhere are mere shadows.
Huina Zheng, holding a Distinction M.A. in English Studies, serves as a college essay coach and editor at Bewildering Stories, with her stories featured in publications like Baltimore Review, Variant Literature, and Midway Journal, earning her two Pushcart Prize nominations and Best of the Net nods, and lives in Guangzhou, China with her family.
Photo by Peiqin Guo.
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